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The womb wasn’t available until the other siblings got out of there. Makes more context in the childbirth sense than the bar sense actually.Ĭlosing time, this room won’t be open till your brothers or your sisters come The baby wants his parents to take him home? This feels a little insecure, like Dan Wilson was worried his baby might’ve rejected him for one of the guys from Better Than Ezra.Ĭlosing time, time for you to go out to the places you will be from I know who I want to take me home / I know who I want to take me home / I know who I want to take me home / Take me home So this is quite definitively the child being bounced from the womb.
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Gee, wonder why people thought this was really about a bar? Is whisky and beer like one last quick suck of nutrients from the umbilical cord?Ĭlosing time, you don’t have to go home but you can’t stay here. And I guess this line refers to hospital lights? Unless it’s a metaphor on top of a metaphor and is referring to the beginning of human consciousness or something.Ĭlosing time, one last call for alcohol so finish your whiskey or beer The “boy/girl” stuff makes more sense now. We’re off to a smashing start.Ĭlosing time, turn all of the lights on over every boy and every girl So let’s go line-by-line through Closing Time and try to interpret it in its alternative context.Ĭlosing time, open all the doors and let you out into the worldĭoors = the vagina. They think it’s about being bounced from a bar but it’s about being bounced from the womb. Millions and millions of people bought the song and heard the song and didn’t get it.
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Semisonic’s lead singer, Dan Wilson, explained during a performance at his 25th reunion at Harvard… It turns out the entire song was actually a metaphor for childbirth. No one reazlied Semisonic had a little of that Robert Frost mojo in them. Closing Time was immediately and permanently the go-to song for the end of the night at bars, weddings, bar mitzvahs, parties, quinceaneras and Semisonic concerts.īut here’s the thing. It would be Semisonic’s only hit - but what a hit. The song featured lyrics (ostensibly) about a lonely person’s experience during last call at a bar. In 1998, a song called Closing Time came out as the debut single from a band called Semisonic. A line-by-line examination into the lyrics must be done. THR got in touch with Wilson, now a successful songwriter for hire ( Josh Groban, Keith Urban), who recently moved to Los Angeles, to talk about the song’s legacy.The lead singer of Semisonic says he wrote the song as a metaphor for childbirth. Fortunately, not he nor the rest of the band, which includes drummer Jacob Slichter who wrote the 2004 book S o You Wanna Be a Rock & Roll Star, define their lives by this one radio moment that never went away.
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Long used to shoo out bar patrons who had overstayed their welcome, it’s now officially entered the realm of pop culture punchline, which, for singer Dan Wilson, is both a huge compliment and cause for pause. Thanks to the racy red band trailer for the forthcoming Justin Timberlake– Mila Kunis rom-com Friends with Benefits (not to be confused with the Ashton Kutcher– Natalie Portman vehicle No Strings Attached, which promises a similar plot), where a mid-coitus Kunis implores Timberlake to distract her with, what she calls, a Third Eye Blind song, Semisonic’s 1998 hit “Closing Time” is experiencing a renaissance of sorts.